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www.newsindiatimes.com – that’s all you need to know . i i i . – t ’ a l y n t k Entertainment News India Times (July 25, 2026 - July 31, 2026) July 31, 2026 27 Cricket-Sooryavanshi Smashes Maiden Half-Century As India Thump Zimbabwe “Kabeer” By Padma Shri Shekhar Sen Transforms Audience From Within T eenager Vaibhav Sooryavanshi scored his maiden half-century in international cricket when he smashed 50 from 19 balls to steer India to a comfortable seven-wicket victory over Zimbabwe in the first Twenty20 International in Harare on Thursday. After Zimbabwe were sent in to bat, the home side managed 125 for seven in their 20 overs, a total that was never likely to trouble the tourists, who chased it down with 40 balls remaining. The 15-year-old Sooryavanshi was at his destruc- tive best as he hit four fours and four sixes on the large Harare Sports Club ground before being caught at deep third man off a top edge from the bowling of Richard Ngarava (1-30). Sooryavanshi improved his previous best score of 15 after he debuted in England earlier this month but found the going tough. Captain Shreyas Iyer chipped in with an unbeaten 28 from 24 balls and Ishan Kishan managed 35 from 24 deliveries as India coasted home. Wessly Madhevere (39 runs from 34 balls) was the only Zimbabwe batter to post a score of substance. Batter Ben Curran (10) and medium pacer New- man Nyamhuri (0-30) made their T20 debuts for the home side, with seamer Ashok Sharma (0-29) also appearing for the first time in international cricket for India. The second match is scheduled for Saturday and the three-game series will conclude a day later. Both fixtures are in Harare. - Reuters -BHAVNAGAR, GUJARAT O rganized by Nisheeth Mehta (MicroSign and the Center for Excellence), this remarkable theatrical presentation was not merely a cultural event but a profound spiritual and philosophical experi- ence. The moment the auditorium lights dimmed, an at- mosphere of anticipation filled the hall. As Shekhar Sen appeared on stage in the simple attire of Saint Kabir, he ceased to be an actor. Throughout the performance, he embodied Kabir so completely that the audience forgot they were watching a play. They were witnessing the life, struggles, wisdom, and fearless voice of one of India’s greatest mystic poets. What makes this production extraordinary is that Shekhar Sen single-handedly carries the entire perfor- mance as the writer, director, composer, singer, and actor. This is an artistic achievement that deserves im- mense admiration. Transitioning seamlessly between narration, dialogue, music, and emotion, he held the au- dience’s attention for nearly three hours without a single moment of monotony. The script was beautifully structured, tracing Kabir’s life from his humble beginnings to his emergence as a revolutionary saint who challenged religious hypocrisy, caste discrimination, and social divisions. The narrative never felt preachy. Instead, it allowed Kabir’s own words to illuminate timeless truths about humanity, compas- sion, and spirituality. The musical dimension of the performance was equally mesmerizing. Every bhajan and doha was ren- dered with sincerity and emotional depth. Rather than functioning as interludes, the songs became the soul of the performance, carrying Kabir’s philosophy directly into the hearts of the audience. Shekhar Sen’s powerful voice, expressive singing, and command over classical and devotional music elevated the theatrical experience to something almost meditative. Minimalistic stage design proved to be one of the pro- duction’s greatest strengths. Without relying on elaborate sets or visual spectacle, the performance demonstrated that exceptional storytelling depends primarily on artistic conviction rather than technical extravagance. Carefully designed lighting effectively reflected changing moods, while the uncluttered stage ensured that the audience remained focused on Kabir’s message. One of the most remarkable aspects of the evening was the emotional engagement of the audience. There were moments of laughter, moments of silence, and moments of deep introspection. Many listeners appeared visibly moved as Kabir’s verses questioned social prejudice, blind faith, ego, and materialism. Even centuries after they were written, Kabir’s teachings resonated with surprising relevance in today’s divided world. Beyond its artistic excellence, the event served an im- portant social purpose. At a time when society often ex- periences polarization based on religion, caste, language, and identity, Kabir’s message of universal humanity feels more necessary than ever. The production reminded everyone that genuine spirituality transcends rituals and external identities, residing instead in compassion, humility, and self-realization. The organization of the event also deserves appre- ciation. The venue was comfortable, the schedule was maintained efficiently, and the audience management re- flected meticulous planning. Such smooth coordination allowed the spectators to immerse themselves complete- ly in the performance without unnecessary distractions. The efforts of the organizing team were evident in every aspect of the evening. This programme also highlighted the importance of bringing meaningful theatre to regional audiences. Cultural events of this calibre enrich the intellectual and artistic life of a city while introducing younger genera- tions to India’s rich literary and spiritual heritage. By inviting an artist of Shekhar Sen’s stature, the organizers created an opportunity that many attendees will remem- ber for years. In conclusion, Kabeer was far more than a theatrical production. It was an immersive journey into the life and philosophy of one of India’s greatest saints. Through ex- traordinary acting, soulful music, thoughtful writing, and impeccable direction, Shekhar Sen succeeded in making Kabir’s voice alive and relevant for contemporary society. The organizers deserve heartfelt congratulations for presenting such a meaningful cultural experience. In an age dominated by fast-paced entertainment, this pro- gramme reminded us that theatre can still inspire reflec- tion, awaken conscience, and touch the deepest corners of the human spirit. Rating: ***** (5/5) “Some performances end with applause; this one continues long after the curtains fall, echoing through the thoughts and hearts of everyone fortunate enough to witness it.” By Seema Rathod PHOTO:ACTION IMAGESVIA REUTERS/ANDREW BOYERS Cricket – Third T20 International – England v India – Trent Bridge Cricket Ground, Nottingham, Britain – July 7, 2026 India’s Vaibhav Sooryavanshi in action. PHOTO:PROVIDED Some performances entertain, some educate, and a few transform the audience from within. “Kabeer” by Padma Shri Shekhar Sen belonged to the last category. Sports